
"Of all the many striking statements made by de Selby, I do not think that any of them can rival his assertion that 'a journey is an hallucination'...the illusion of progress he attributes to the inability of the human brain -- 'as at present developed' -- to appreciate the reality of...separate 'rests,' preferring to group many millions of them together and calling the result motion, an entirely indefensible and impossible procedure since even two separate positions cannot obtain simultaneously of the same body. Thus motion is also an illusion. He mentions that almost any photograph is conclusive proof of his teachings.

"During his stay in England, he happened at one time to be living in Bath and found it necessary to go from there to Folkestone on pressing business. His method of doing so was far from conventional. Instead of going to the railway station and inquiring about trains, he shut himself up in a room in his lodgings with a supply of picture postcards of the areas which would be traversed on such a journey, together with an elaborate arrangement of clocks and barometric instruments and a device for regulating the gaslight in conformity with the changing light of the outside day. What happened in the room or how precisely the clocks and other machines were manipulated will never be known. It seems that he emerged after a lapse of seven hours convinced that he was in Folkestone and possibly that he had evolved a formula for travelers which would be extremely distasteful to railway and shipping companies. There is no record of the extent of his disillusionment when he found himself still in the familiar surroundings of Bath but one authority relates that he claimed without turning a hair to have been to Folkestone and back again. Reference is made to a man (unnamed) declaring to have actually seen the savant coming out of a Folkestone bank on the material date.
"Like most of de Selby's theories, the ultimate outcome is inconclusive. It is a curious enigma that so great a mind would question the most obvious realities and object even to things scientifically demonstrated (such as the sequence of day and night) while behaving absolutely in his own fantastic explanations of the same phenomena."
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